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I'm a humble chef, however, I most certainly will try to properly formulate my head concerning the film, because it's extremely dear to my heart.

If a person by using a revolver gets journey train inside prologue of Sergio Leone's film, then he must have something to say. The silent wanderer keeps a bitter story deep as part of his heart, his secret weighs heavily on his soul. However, even being sentimental in moments of relative solitude, the traveler is decisive, and as part of his eyes you will see the fad containing accumulated in the years. He's not who he seems. The wanderer's name is Douglas Mortimer, an old military man and today a bounty hunter. If viewers of the film listen for the words of an flabby old man chained with a bed (a funny grandpa appears closer on the core film), they may learn the trains, these damned and noisy objects, are at fault for everything. Alas, but earthly hardships are certainly not limited to trains and Douglas Mortimer is comfortable with this, his problem consists of bones, flesh and blood. The character, played by Lee Van Cleef, cherishes the soul with thoughts of revenge, but but not only revenge is in the center on the plot of Sergio Leone's brainchild, because as well as the retired colonel, there is certainly another hero in the film. Fast, accurate, discreet, another bounty hunter. At the very least curious, but at the most wildly interesting, especially if the “one-armed” shooter is played by Bruce Lee in the realm of Westerns - Clint Eastwood. You can estimate that the paths of Mortimer along with the nameless shooter will cross under the sun of your wild west. The spaghetti is definitely from the pot.

In A Few Dollars More, phrases for example “in 10 minutes you can be smoking in hell” or “you need a new sheriff” are inevitable. The hero of Clint Eastwood is shown being a shooter whose abilities is relevant in a sci-fi novel, but everything is considered is not attributed towards the disadvantages with the narrative. Including the most absurd moments inside the Western genre and under the skillful direction of Sergio Leone become salt for spaghetti, and the storyplot in the partnership between One-Handed and Colonel Mortimer tenaciously keeps viewers within the screens, which are in all probability visited by such thoughts: ¬¬ “I'm wondering what may happen further? Will One-Armed and Colonel Mortimer find common ground? ” “A few bucks more” - shootings, chases, music of contributions, personifying the approaching of death, here satire, in addition to foolishness, lives next to each other with drama and ironically interpreted religious motives. And, finally, the storyline shown by Sergio Leone may be the archetype of several paintings, where partnerships flow into friendship, though into a form of friendship, with this friendship a friend can shoot an associate inside the neck making sure that he isn't killed with the thugs of one more boss. The hearth is burning beneath the pan. The spaghetti sets out to boil.

Sergio Leone's tape is a real classic with the genre, and this is simple to implement by the noise of bullets fired by the heroes, bank robberies plus the long glances that two shooters exchange prior to a decisive shot, that shot that decides human destiny. The creators not merely draw attention to their creation (and they actually do it well), but touch on burning topics in most episodes of the film, not being afraid to scoff at corrupt politicians and cunning businessmen, using original script moves. Additionally, it is more than interesting to observe a number of Clint Eastwood and Lee Van Cleef - the heroes of the existing and new generation of westerns who, being in the wonderful pictures of Manco (One-armed) and Colonel Mortimer, now and attempt to prove something to each other, competing from the possessing a revolver and doing of sieve hats. Hmm, something's heating up in your kitchen, phew, you're ready to serve spaghetti for the table. Winnie, your attendees are waiting, hurry up, they are hungry and now taste Leone's signature spaghetti. It is difficult to have an expressive chef to find a better helper these days. Spaghetti is served, but wait a moment, dear guests.

Undoubtedly, Sergio Leone in their “A Few Dollars More” demonstrates to everything about cinema the lion's share of his talent and professionalism, and the image itself can be viewed hypertrophied dominating before the very first film on the trilogy, which attracted the interest of the expressive Akira Kurosawa. A long time later, Leone's brainchild tries to please a number of people, as well as film succeeds: those viewers who desire a dramatic story understand, those who love shooting and duels are satisfied, and connoisseurs of satirical humor will likely be satisfied after watching. Are you aware that music, it is possible to speak briefly - Ennio Morricone. Dear listeners, perhaps I am too excited, making my head just a little confused, but for those who watch an excellent film of my fellow countryman at least, you will end up convinced with the correctness of my words. However, I can't hide my bias, I actually love the stories around the shooters with the wild west, where there's 2 totally different bounty hunters chasing the same victim, but not the exact same motives. Oh, I almost forgot, season with spaghetti sauce and garnish with basil. Looks pretty good. Enjoy your meal!

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